literature

Stories of feelings with no names - Revision

Deviation Actions

SilverInkblot's avatar
Published:
4.2K Views

Literature Text

   i.

   The feeling you get the day after sending a letter, and you know there is no possible way that the recipient has received your message, let alone formulated time to write a reply. You still get just a little hopeful when you hear the mailman drive by. You rush out to the postbox a little too quickly and are disappointed by the pile of free coupons, bills, charity flyers, and a late Christmas card from your late Grandma Moses.

    ii.

    You lost your voice one day. You woke up to a hollow echo in the base your throat and knew you’d lost something special before you’d ever had a chance to say anything worthwhile. You checked under the bed and tried the lost and found, but couldn’t even ask if anyone had heard it lately.

   iii.

   A sudden awareness that occurs during funerals that you are going to die. You are dying right now – your cells are shedding like snakeskin and your hair is turning silver and every moment is one less than before. You will never know which moment is the last one because you won’t be around to count the grains in your hourglass– and, somehow, this knowledge both sharpens and dulls the grief of saying goodbye to Grandma Moses, like a blade that loses all effectiveness once it’s already in your chest.

   iv.

   You drove from San Francisco to New York, Seattle to El Paso, down every back road and blue highway, all the late night diners and greasy spoon truck stops, checked into every hotel, motel, bed and breakfast inn, and campsite. Then the neighborhood library closed down and no map could lead you back home again.  You know this feeling, the empty feeling of having completed a good book, watched a great movie, listened to an amazing song, when you know that your life will never match up to all the things you want it to be.

   v.

   An acute alertness of not being watched. An antithesis to paranoia that arises when you wish to be seen and are instead ignored, like the time you got up early enough to curl your hair into ringlets and dug out the makeup kit you got for your fourteenth birthday. And his October eyes still didn’t look twice in your direction. Your translucent paper-skin covered in doodles of hearts, spirals, and stars is not the art meant to hang in solemn galleries. Your thoughts are not cryptic messages to be decoded thousands of years later. Your bones will not be the subject of evolutionary debates and you do not desire any of these things but surely you are worth someone’s attention?

   vi.

   The distant mumble of the television in another room, or perhaps up one floor, whose muffled voices are at first annoying and then comfortable, lulling away the loud silences of the night – the buzz of the streetlight, the hum of the fridge, the pulse of your own heartbeat – long enough to put a few hours away for dreaming.

   vii.

   A wretched sadness juxtaposed against the satisfied smugness of predictions that turned out to be right; a weary “I told you so” directed at a tragedy you saw coming from the beginning, but were powerless to stop. The celebrity alcoholic in and out of rehab, the on again off again relationship of two people completely wrong for each other, the precarious tower of empty coke cans stacked on a rickety lunch table with a short leg on one side whose crashing cacophony brings the Principal out of the office to lecture the involved parties. Even the small prophecies are losses.

   viii.

   The sense of frustration when the perforated edge of your notebook paper doesn’t tear properly, ripping into the pristine white sidebar like a vicious dog into flesh and, oh, you just can’t do anything right at all, can you?

   ix.

  A nameless fear with no known origin. The moment your heart quickens and you cannot pinpoint the cause, but manage to convince yourself you're about to die. An anxiety that builds, beginning somewhere just below your stomach and crawling up to settle in your ribcage and then constricting around your throat until hiding underneath your covers and willing it away isn’t enough. The panic is soothed by the reassurance of the familiar – a favorite movie, a blend of bergamot and ginger tea, old letters and postcards – and though the chill of apprehension mingles unpleasantly with the warmth of the comforting, it’s enough to calm your nerves all the same. You forget all about the feeling in the morning when the sun peeks through the slats of your drawn dorm window, teasing the promise of a new day.

   x.

   The swift rush of perspective when you stare at the sky hard enough and see that it is not a flat plane but a curve, that the clouds and stars are not level, but have depth; depth that has to be measured in alien terms because human sensibilities are just too little; depth so far beyond the scope of your imaginings that just staring is enough to make you stretch your arms as far as possible, as though reaching will bring all the things beyond your grasp any closer. The history of the universe is stretched out before you, a book bound at the spine by gravity and written in a language of light. As soon as that happens you have to look away just to feel normal again, arms collapsing heavily to your sides. And even though gravity pulls harder than ever, your steps out into the night grow steadily lighter.

   xi.

   A disorientation that ensues during a big move – from one home to another, or perhaps from home to college. When your own room is void of anything that marks it as yours except for the quilt embroidered by Grandma Moses that you couldn’t find room in a box for, and yet you can’t stop seeing it as belonging uniquely to you. You bags are packed and your entire life has been compacted into a dozen cardboard boxes sitting in the trunk of a taxi that will take you away – to your new house, to the station, to the airport – but your compass needle still points directly in the direction you are leaving.

    xii.

    You’re lost in a photo booth. You spent ten years making silly faces behind the curtain and nearly emerged from the other side as a serious adult stuck in black and white stills that got stuffed into a wallet and forgotten about, never looked at again until your hair is as grey and faded as the photograph, but you’re looking at it now, nostalgically, wistfully, wondering if your letter has slipped between the cracks of I’ll do it tomorrow and there will always be time.

   xiii.

   A short circuit of the brain that typically occurs on overcast, blue-grey days that are neither rainy nor sunny, which create a visual paradox on the ground, where everything appears a touch brighter, a shade sharper, a bit crisper around the edges. The shift of light casts angular shadows that make the world appear to be bursting at the seams and something about the fullness of the scene satisfies the ghosts in your eyes. An appreciation for how subtle a thing can influence your entire day, and you have to compose your own emotions instead of letting the weather dictate your moods.

   xiv.

    The sudden jolt of seeing someone familiar in an unfamiliar place; an awkwardness that comes when you see an office co-worker or a doctor or an old teacher in a place where you are not used to seeing them – in the grocery store, at the movie theater, browsing the library. When you recognize his October eyes under the fringe of chopped, russet hair on the other side of the bookshelf, you bury your blush in the spine of the nearest book. Often accompanied by the sudden knowledge that this person has an entire life locked away behind doors you never knew existed. Suddenly light has spilled out from underneath one of them and your fingers are brushing the carpet of a room full of ordinary secrets that have not been hidden, but have been kept from your eyes all the same.

    xv.

    A keen alertness to something just beyond the scope of your understanding, lying across the field of your consciousness like an asymptote begging to be crossed. The ratio of fascination to mystery keeps calling you back to the things you don’t understand; the reason you find poetry in mathematics even though a series of fatally wounded tests has been holding you back the last two years. The thunder in your heart that knows something before you do when you catch his October eyes across the lecture hall, that makes every muscle in your body sing even as you glance away. You watch the girl two rows down snap her gum, loudly, a gunshot against the drone of the professor, and return to doodling curves on your graph paper; the curves become a heart.

   xvi.

   A late night preoccupation with aliveness – a sense that the deepest part of the night, or the earliest part of the morning, is the most awake part of the day. When your senses are heightened to such a degree that the very air is full of rough crystals grating your lungs and the compulsion to draw breath is so deliberate you wonder how you manage to do it all day without ever thinking about it.

   xvii.

   A superimposition of aged features on to a youthful face, or the excavation of youthful features from an aged one; a juncture in time where the past and future clash to create the now, and if you just stare hard enough you can see the person he used to be and the person he will become, caught somewhere between the dwindling baby fat around his jawline and the developing stubble at the tip of his chin. Only his October eyes remain the same.

   xviii.

   The noise of a faraway car driving late at night or perhaps in the lonely cool before dawn, in that sleepy place somewhere between consciousness and dreaming, where everything is warm and vaguely fuzzy. The remote sound of tires on asphalt speaks to a sense of curiosity – where are they going? Why so early? – but the blankets are so heavy, your eyes are so heavy, and before you can wonder anymore, the car is long gone, and so are you.

   xix.

  A wondrous appreciation for the quick and efficient work of late-night waitresses at the local Waffle House who juggle coffeepots and patrons while bacon sizzles on the grill. You love the way they crack eggs without even looking and flip pancakes like pros and chat with the late night clientele because all the best customers come in before the sun does. You like the way he cleans his plate as though it were the last meal he will ever get - never turn down free food he said, even though he was paying. You spin yourself back and forth slightly on the pleather red barstool once you’ve finished your toast, hands folded in your lap, watching the waitresses craft five-star omelets while listening to the Springsteen records glowing from the jukebox and when he finally puts his fork down and invites you for a ride on the chrome-wheeled suicide machine he inherited from his father, you don’t say no.

    xx.
 
    When you part for the evening he tells you to be safe, and you’re never sure what to say. So you settle for I'll try, as though that's all it takes, and he guns the motorcycle. You hear his engines roaring on in your dreams all night long, where heaven’s waiting down on the tracks.

   xxi.

   An unexpected desire to leave home – not forever – but just long enough to have something exciting to talk about when the neighbors visit because the daily grind is ripping the bones from your back and you can only stand to look at so many baby pictures from barely wedded friends you barely knew in high school. A nameless longing to leave the familiarity that you can’t get far enough away from, the suffocating smiles, distant church bells, and the last fumes of exhaust from the bus transit hub. If only you can truly come home, just once, and know what belonging really means. Your world looked so much bigger from the backseat.

    xxii.

You found your voice one day. You pulled a pen from the junk drawer, or sat down at a keyboard, or bought a journal on a whim and found it curled up around your fingers, sleeping, rusty, but alive. You grabbed a handful of Scrabble tiles and alphabet magnets, bought a magnetic poetry board to shuffle  with your ink-stained fingers and learned how to make them talk instead.

   xxiii.

   An unforeseen surge of joy caused by the surprise appearance of the letter you’ve been waiting for from a friend not seen in over a year. The flutter of the envelope flap unfolds like wing pinions stretching for flight and the rustle of paper promises hours of reading and responding from your red plush swivel chair near the window. Your baby steps into the world are turning into confident strides and you don’t write a response but a promise; you’ll stop waste your summers praying in vain. One day you’ll visit, no matter the distance, and you’ll come running.

   xiv.

   A thoughtfulness that follows a long conversation as you catalog all the lines that made you smile and you’d like to keep for those grey days that you spend throwing roses in the rain. And abruptly realizing that when he offhandedly mentioned that you seemed happier, October eyes glimmering, you are. You really are.
Let's play a game. It's called "Find all of Lauren's Springsteen references." As of this writing, there are 14. I'll list them as they're found. I've made it a little easier by keeping them all from the same album. My personal vengeance on Doc for cutting a page out of the first revision.

The main criticism during workshop was that there was a lack of a solid plot/ some readers were unsure if it was the same person in each section. I don't want too much of that because it isn't that sort of story, but I did try to anchor it to the same characters by adding some recurring images and motifs.

The second concern was that it could be rather formulaic, so I added in some previously written pieces to shake it up a little (sections ii. xii. xx. and xxii). Those pieces fit right into this sort of nostalgic, rambling, prose poetry thing I already had going on, so I ran with it.

I'd like to publish this one day, with each section on a postcard. The cards would be unnumbered, and the reader could shuffle them up and put the story together like a puzzle. I like the idea of a book being interactive, and there are several sections here that could be switched about to create a different narrative.
© 2013 - 2024 SilverInkblot
Comments65
Join the community to add your comment. Already a deviant? Log In
AmericanLass's avatar
:star::star::star::star::star-half: Overall
:star::star::star::star::star: Vision
:star::star::star::star::star-half: Originality
:star::star::star::star::star-half: Technique
:star::star::star::star::star-half: Impact

Hi! My deepest apologies for taking so long to get to this piece! The last few weeks have been horribly busy and I really wasn't quite sure where or how to start with a critique for this.

But anyway. I'd like to start by saying that I genuinely don't feel qualified to leave any kind of critique on this. It's absolutely beautiful. This is the kind of thing I see a young woman in a large sweater and yoga pants writing in a slightly tattered (in a loving, well-used way) notebook while drinking a nice cup of coffee or tea with wisps of steam rising up out of it, all of this taking place in a cabin with a fire going in the fireplace while it's snowing outside.

I'm seeing this as if it were written from the perspective of someone looking back on their own past, maybe wistfully, maybe remorsefully, maybe both. And I feel like somehow it's all tied together by one person. I feel like that person is an ex boyfriend/lover, due to the way you reference the October eyes and the way the character speaks about him and observes him.

But anyway, enough with the interpretations. I quite like your style of writing in this piece. I find the numbers give it a unique bit that really adds to what's being said. Somehow it makes it stronger, in my opinion. I can't quite put my finger on how, but I quite like it. I like that it's divided the story into bits. Almost like small summaries of the person's life in a way, I suppose.

I like how, in the first part, you captured the feeling we all get so well. Overall, you've captured everything beautifully in all honesty, but some of my favorites aspects of this piece are:
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 3, about the funerals and how we're all constantly dying and we won't ever know the exact moment because we'll then be gone. I've had this thought before and I must say it's something quite fitting for a piece like this. It's sad and deep, and depressing which I feel is a huge part of the atmosphere you've drawn out for a lot of this piece.
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 5, it seems to speak to every wallflower out there. They don't really want to draw attention to themselves, always standing in the background, but there's always someone whose attention they do want and yet can't seem to find. It's definitely sad, and I love how much you dug into that one with the skin and the bones and all the details that most people don't pay attention to anyway.
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 8, one of my top favorites, if not the favorite. The feeling of just not getting anything right, even things as small as ripping a piece of paper or pouring the right amount of water, it's truly awful. I love how you ended it: "and, oh, you just can't do anything right at all, can you?" That struck a chord with me. Beautiful metaphors as well in this; I love how you turned a simple mistake like tearing paper incorrectly and compared it to a vicious dog tearing into flesh. To me, this seems to really exemplify just how awful those tiny mistakes are to you when you've finally reached that point where you feel that you honestly just can't do anything right at all. Great job with this one.
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 11, this strikes me as someone who possibly only wants to leave temporarily- like a bout of wanderlust, or maybe someone who truly belongs where they started. It speaks to me, because I feel that no matter which direction I go in life I'll always be leaving something behind and I often feel like I'm going in the wrong direction. I love the reference to the compass. Also, you made a small typo: "You bags are packed..." rather than "Your bags".
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 12, I truly believe every single person knows this feeling all too well. Finding things that bring back old memories with people you've long since lost contact with bring with them a feeling of remorse, for me at least. I generally always feel like I've lost something really valuable. It goes to show just how important it is to not always put things off until tomorrow. Also, a small question: is the letter mentioned in this section a reference to the letter mentioned in section 1?
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 14, we all know that feeling: the awkwardness of running into someone familiar in an unfamiliar place. You've encapsulate that perfectly. It seems, to me, that you've made it seem much more beautiful, in a way, than it actually is. As if you're learning all the little cracks and crevices of a stranger's life, but that stranger isn't entirely a stranger maybe?
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 18, I often wonder these kinds of things myself and I quite like how you've depicted it in this part. That moment when you wake up for no reason and you hear life going on around you at all hours of the night and you wonder what other people's lives are like. It's beautiful in its own way, and I like that you've mentioned it in your writing.
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 21, because that's exactly how I feel right now. So many people feel this way, and I'm in love with the way you described the feelings of not belonging, of wanting something new to talk about, of wanting to go away for a while, of wanting to be able to breathe freely again. Somehow you make even the saddest of things sound beautiful, and I love that about your writing!
<img src="e.deviantart.net/emoticons/b/b…" width="10" height="10" alt=":bulletblue:" data-embed-type="emoticon" data-embed-id="211" title="Bullet; Blue"/> Part 23, it turns the piece into something more positive. It seems to me that the person is maturing, becoming who and what they want to be and that leads to a happiness previously unknown to them.

I realize that most of that isn't quite a critique, per se, but I'm honestly not entirely sure what I could possibly say to improve it. I pointed out my favorite parts because they spoke to me in some way or another and I did my best to explain why or how they spoke to me.
Also, I love that you've taken what are, essentially, a bunch of common unnamed feelings amongst humans and put them all together in one piece. Maybe that's why I liked your numbering system. It's almost like a list, but prettier. I like the use of Roman numerals too. It looks nice than just the regular 1, 2, 3, etc.
I'd like to summarize basically just by saying that you have a stunning talent for writing and I would be happy to see this published one day! I find your use of imagery perfect, you manage to find just the right comparisons and metaphors to make the reader see exactly what you mean. It's lovely. Quite honestly, I can't see how it could be written any better.
None of my writing has ever gone this deep, or this beautifully if I do say so myself. I'd be super super proud of this if I were you! I really loved reading it.

The only complaint I can possibly come up with is that I'm not entirely sure what exactly you meant with this piece. Like, what was the overall point of the piece I suppose? I'm not sure if my interpretation(s) above were in any way, shape or form correct, but that's the only thing that threw me off a bit. I mean, stories don't necessarily need a specific point for them to be great, but if there is something specific you wanted your readers to come out of this piece with I'm curious to know what it was!

Nicely done! This is easily one of my favorite things here on deviantART. Please, keep writing more! <img src="e.deviantart.net/emoticons/s/s…" width="15" height="15" alt=":)" data-embed-type="emoticon" data-embed-id="391" title=":) (Smile)"/>